Written by Tobias, DHIY Student Bookings Coordinator
At the start of November last year, we were fortunate enough to have Marios Argiros visit us in Botley for a day-long workshop. I wasn’t sure what to expect, but a few people whose opinions I respected had suggested that Marios would be well worth it, and I definitely agree having been through it.
Many teachers can work us through a nice sequence, or can get us to just do a lot of asana in a mindful way; and while Marios’ workshop did that, there were layers to his teaching that I’m sure I still don’t fully appreciate. However, I did take away a number of ideas which I’m using to build upon the principles established by my teacher, and by other teachers I’ve had the pleasure of studying with. What resonated with me won’t be the same for you, we’re each on our own journeys after all, but I’d like to share what I experienced in the hopes that it might spark some new ideas or help integrate some existing ones.
Powering the Asana
Right from the outset of the workshop, Marios established the principle of the breath as the power source of your asana, and from there continued to build upon it. That principle was a thread that he weaved throughout the entire day, using the asana practice in the morning to establish the principle, to set it in our bodies, and then in the afternoon having us develop our sensitivity by feeling the impact of the breath on our body while focussing on the different chakras.
This idea of breath being the power source to drive your asana was something I hadn’t understood that well until now. I knew that the rhythm of the breath was important, that if it was discordant the asana would be harder, and that matching the rhythm would make asana easier. However Marios took it further than that, and he really drove in that the breath is key to your practice.
Marios Argiros in Adho Mukha Svanasana
Marios guided us through practising in a way where we moved into the asanas while consciously focusing on the breath, feeling how the breath moved through our bodies, and how that affected our asanas. In particular he helped us find more space, extension, and precision. I was also able to find greater apparent stamina as working with the breath kept everything in better balance.
By way of example, in adho mukha svanasana we were encouraged to use inward breath into the chest to power the upper body - broadening the chest, flattening our upper back, extending our arms, and pushing into the mat. We then used an outward breath from the abdomen to power the lower body, hinging the pelvis, straightening the legs and back, and finally driving the heels down. We did this in cycles, feeling, adjusting, and breathing, and we repeated the pose a few times throughout the morning to see how we had progressed through similar practice in other asanas. By the end of it I certainly felt a marked improvement, finding a length in my abdomen that I had typically struggled with. It was also much easier to stay in the pose - normally I’m ready to come down before the teacher prompts it, but in this case I actively wanted to stay longer!
Sensitivity in pranayama
In the afternoon, Marios guided us through a pranayama session with several components along the theme of feeling the breath, with some supported asana and some interesting methods of using props to support them. The part that really stuck with me is when he had us put a brick on each of our chakras, breathing consciously where the brick was situated for a while before moving to the next chakra, and just letting ourselves feel.
Pranayama practice is useful for developing sensitivity; listening to your body as the room becomes quieter and the teacher lets you get on with the practice. Giving you the space to learn to check in with your own body to find any discomfort, and to figure out what you need to do to address it. Often these might be fairly subtle feelings, but they can be substantially more pronounced when dealing with physical injuries or emotional trauma.
For me, when we got to the manipūra chakra, I felt a deep discomfort around my navel, coupled with a strong desire to remove the brick. I had to decide between continuing to figure it out or to abandon the practice for now. In this instance I decided to persevere, to allow myself to feel what bothered me, before eventually moving on with other elements of the practice. This might sound undesirable, but ultimately, by allowing myself to feel that, I was able to identify something that held my practice back and address it. Since then I have found significantly more space and precision in my asanas around that area; including that same space I found in adho mukha svanasana earlier in the day!
Marios Argiros in Supta Swastikasana, with two bricks under his shoulders
While other parts of the session don’t stick out to me quite as prominently, there was a lot of emphasis on using the brick as a focussing element. We did several supine poses like supta virasana, supta swastikasana, and supta padmasana, positioning props at various heights and positions along our upper spine or around our tailbone and sacrum, and feeling how that affected the quality of our breath. Marios’ guidance for this part was fairly minimal - we were given a set of parameters and told to try different options, and to see what we could feel.
In supta virasana I played with the height, width, and position of the props under my sacrum, figuring out what would allow me the most space, but also feeling for what prevented me from achieving that space without the props. As I tend towards hypermobility, I was initially adding in too much height and ended up kicking my lower back in - which I felt but couldn’t figure out the solution easily. My teacher pointed this out, so I then reduced the height, and was able to engage my back muscles along with the breath. I’ve since been able to achieve a much more even curve in my back bends by being sensitive to this and working purposefully with my breath.
Integration
By integrating these core ideas into my own practice, I am able to focus on the breath in poses I’ve found harder, feeling out ways that my breath appears to be fighting the asana rather than working with it, and using that to find balance. I’m still finding new ways to apply these ideas and I’m deeply excited to see what else I’ll find on this journey! I do hope everyone found this workshop even half as insightful as I did, and that you too found new tools to enhance your practice, whether that be through the breath, or anything else.